Filterscape

About

At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different "snapshots". Each EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.

Originally published in 2004, Filterscape was u-he's very first cross-platform, multi-format plugin. An important milestone for u-he as a brand, it quickly became a staple in the arsenal of many musicians. Now upgraded with modern technology and ready for tomorrow's tasks, we're once again showing our commitment to maintaining our product line. Filterscape may have been overlooked in recent years, but no longer!

The new multiband EQ is based on an analogue model which has been optimized for rapid modulation, resulting in significantly improved audio quality when pushed to the limits. The filter section has been expanded, introducing three new analogue filter models that offer beautifully smooth drive and resonance characteristics.

Features

• 2 multimode filters, each with mixable lowpass, bandpass, highpass and notch
• NEW in 1.5: 9 additional analogue filter options (2-pole, 3-pole, 4-pole)
• 4-band parametric EQ with five modes:
• LS-Peak-Peak-HS, 4 Peaks, LP-BP-BP-HP, 4 Bandpasses , Panned Bandpasses
• 8 morphable snapshots for user-defined EQ settings
• Modulation options for each EQ band
• 2 signal mixers (roles depend on selected routing configuration)
• Stereo delay with independent times for each channel
• 2 host-synchronized sequencers, up to 16 steps, blend (glide) control
• 2 host-synchronized LFOs with 8 waveforms
• 4 envelope followers
• 5 routing options for delay, filter and EQ signal path
• Overhauled + expanded factory library - improved categorization, volume balancing, larger variety
• Filterscape VA
• 2 spectral oscillators with 15 waveform options including wavetables
• EQ identical to Filterscape FX, but polyphonic!
• Ring modulation, hard sync
• Sub-oscillator with 3 waveforms
• Noise generator
• 3 LFOs: 1 global, 2 per-voice
• 3 envelope generators with fall/rise and 4 shape modes
• Combined arpeggiator / sequencer
• Multimode filter: lowpass, bandpass, highpass
• Polyphonic, duophonic or monophonic (retrigger or legato)
• 2 effects: delay, chorus