GX-80 Synthesizer

About

GX-80 is Cherry Audio's visionary flagship synthesizer, over a year in the making. Combining the unparalleled sound and features of the fabled GX-1 "Dream Machine" and its renowned descendant, the CS-80, GX-80 is a transformative virtual synthesizer blending the essence of two groundbreaking instruments to create a powerhouse hybrid. Featuring the carefully crafted and intensely circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio has replicated every subtlety of the classics to create the most authentic emulation of its kind.

GX-80 is not just another CS-80 emulation. GX-80 adeptly reintegrates the GX-1's distinctive features back into the CS-80 architecture, such as dual synth layers for twice the impact and additional waveforms with variable resonators. The GX-1's octave-up triangle wave and invert filter envelope control have been reincorporated. Most notably, GX-80 includes an expert reproduction of the legendary GX-1 filter that delivers exquisite timbres that even the mighty CS-80 cannot produce.

Features

• A best-in-class virtual instrument based on two monumental analog classics: the GX-1 and CS-80
• Reintegrates the extended features of the GX-1 with all of the functionality of its descendant, the CS-80, for an absolutely immense sound experience; essentially, two CS-80s and more!
• Massive dual-layer voicing architecture with 16 polyphonic voices per layer: two different patches simultaneously playable, in either a keyboard split or stacked layer mode, with discrete controls for layer volume and panning
• All GX-1 and CS-80 voicing parameters reproduced, including the GX-1's unique oscillator-level filtered waveforms, octave-up triangle wave, and invert filter envelope control
• Precision recreation of both the legendary CS-80 and unmatched GX-1 filters
• Four polyphonic voice ranks, each with a voltage-controller oscillator, resonant highpass and lowpass filters, noise generator, sine wave, dual envelope generators, and a velocity-sensitive VCA
• Sub oscillator LFO for each layer with sine, sawtooth, ramp, square, sample and hold, and noise intended for modulation, with tempo sync
• Recreation of the memorable CS ring modulator that modulates the summed output of each pair of ranks with its own independent oscillator